翻訳と辞書
Words near each other
・ Giorgos Velentzas
・ Giorgos Vourgoutzis
・ Giorgos Xylouris
・ Giorgos Zampetas
・ Giorgos Zigogiannis
・ Giorgos Zindros
・ Giorgos Zisopoulos
・ Giorgos Zographos
・ Giornale degli economisti e annali di economia
・ Giornale dei Ragazzi
・ Giornale del Popolo
・ Giornale di Sicilia
・ Giornalisti (TV series)
・ Giornata
・ Giornico
Giorno Poetry Systems
・ Gioroc River
・ Giorroid Ó Mórdha
・ Giorvis Duvergel
・ Giosafat Barbaro
・ Gioseffo Danedi
・ Gioseffo Guami
・ Gioseffo Maria Bartolini
・ Gioseffo Vitali
・ Gioseffo Zarlino
・ Gioseni
・ Gioseppe Caimo
・ Giostra della Quintana
・ Giosue Cozzarelli
・ Giosue Gallucci


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Giorno Poetry Systems : ウィキペディア英語版
Giorno Poetry Systems
Founded in 1965, Giorno Poetry Systems was an American artist collective, record label, and non-profit organisation founded by poet and performance artist John Giorno with the direct aim to connect poetry and related art forms to a larger audience using innovative ideas, such as communication technology, audiovisual materials and techniques.
==History==
In the early 1960s, young New York-born poet John Giorno became acquainted with artists who were at the threshold of their successful careers, most notably Andy Warhol, Roy Lichtenstein, Merce Cunningham and John Cage. Warhol would have an important impact on Giorno, as the latter became the protagonist of Warhol's film ''Sleep'' (1963), which depicts Giorno sleeping for five hours, and the unreleased ''Handjob'', following Giorno's face while masturbating.〔(BENEDICTUS L, ''Sleeping on Job provides a Leg-Up'', 2004, The Age )〕
Giorno believed that, at this level, poetry was running behind. Evidently, these artists in music and painting etc., would act whenever an idea arose in their minds, while the availability and progression of poetry was limited to books and magazines, let alone multimedia or performance.
Analogue to then active Pop-Art ideas, Giorno wanted to change poetry's situation by communicating to his audiences through everyday means such as telephone, television, records and so on. After all, phonographs and radio were a perfect terrain for people to listen, as Giorno called it poetry’s ''venue''. Furthermore, these ways would offer Giorno's ideas a wide open space to explore, to reach a broad audience not limited anymore to that of the poetry magazines.
From 1965 on, Giorno would explore tape and phonograph recording, along with colleagues William S. Burroughs and Brion Gysin, using a variety of tape experiments such as loops and cut techniques 〔Insight into Giorno's recordings for his electronic experiments, e.g. ''Suicide Sutra'' and ''Eating the Sky''; downloadable at (Giorno's UbuWeb Page )〕 Giorno was introduced to Bob Moog, who was working on his Moog synthesizer, on the verge of its fame.
The GPS label released albums regularly until the late 1980s. Many of these albums included early recordings by later-prominent performers such as Laurie Anderson and Philip Glass as well as unique performances by Frank Zappa, Diamanda Galás, Allen Ginsberg, John Cage, and Brion Gysin, as well as Giorno and Burroughs. In the 1990s, Giorno Poetry Systems released a box set collecting its recordings of William S. Burroughs.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Giorno Poetry Systems」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.